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Nothing impressionistic about hatred of Jews

There he is. Charles Ephrussi. In the black top hat at the back of Renoir's 1881 painting Luncheon of the Boating Party. Charles loves art, collects it, writes about it, surrounds himself with it. He's the scion of a rich banking family. He employs Proust as his secretary at one stage in his life. He's a flaneur and a socialite and a womaniser. It's the final decades of the 19th century and

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